Welcome to Zenith Mastering, where we craft exceptional masters tailored for CD, Physical or digital release.
OUR MAIN OBJECTIVES
Zenith Mastering founder Jason Cambridge is no stranger to the music industry. He has built himself a career as a worldwide recording artist and record producer as well as having an international DJ career since his first release hit the streets in 1991.
Since then he has been carving a career for himself as an independent artist releasing 7 solo albums as well as 2 collaboration albums and hundreds of singles on his own record labels and many other highly respected record labels.
Jason has undertaken extensive work in music library production across many different formats working for companies such as Sonoton, Cavendish Music, Extreme Music and Sony Music Publishing landing his productions on major TV shows such as Top Gear, Ross Kemp On Gangs, Hardcore Pawn, Wheeler Dealers and featuring on commercials for major corporations such as Nestle and Rolls Royce.
In 2021 Jason began his journey to build his own mastering and production studio which incorporated the best of Analogue, Digital and Hybrid equipment. Fast forward to 2025 and the journey is now complete and we are happy to present to you Zenith Mastering.
Providing you with a great sounding product that stand up to todays standards and specifications. Servicing our clients in a professional manner as quickly as possible. Delivering a finely tuned well balanced master while trying to retain all major characteristics of your artist, producer or engineer.
OUR KIT LIST
DYNAMICS
WesAudio NG Bus Compressor
Bettermaker Mastering Limiter
Elysia Nvelope Mastering Edition
SPL 4 Transient Designer
SPL Iron Mastering Compressor
WesAudio Mimas Compressor (Pair)
WesAudio Rhea Vari-Mu Tube Compressor
WesAudio Dione Bus Compressor
Maselec MLA-4 Multiband Compressor / Expander
PROCESSING
SPL Gemini Mastering M/S Processor
SPL Hermes Mastering Router
McDSP APB-8 Analogue Processing Box
McDSP APB-16 Analogue Processing Box
SATURATION
Thermionic Culture Vulture CV20A
Analogue Design Blackbox HG-2
MONITORING
Dangerous Music D-Box+
ATC SCM45A Pro Monitors
ATC SCS70 Pro Subwoofer
Tantrum Audio Angry Box Reference Speakers (Black)
Iso Acoustics ISA-SIS/360XIB Argosy 360Xi Speaker Stands
Audeze LCD-X Headphones
EQUALISATION
Prism Sound Maselec MEA-2 Equalizer
Maag MA4 Mastering Equalizer
Bettermaker Mastering Equalizer
WesAudio Prometheus Equalizer
WesAudio Hyperion Equalizer
CONVERSION
Apogee Symphony I/O MkII 32×32 Thunderbolt 3
Antelope Orion 32 Gen 4
Dangerous Music AD+
Antelope Audio Zeo DAC
Trinnov Nova
ACOUSTICS
GIK Acoustics
REFERENCE TRACKS ARE WELCOME
We are happy to supply 3 revisions to your masters at no extra cost as long as you do not make any major changes to your premasters. We understand that this is a personal and artistic thing and our main objective is to keep our clients happy and want to come back again.
When delivering a premaster to us ideally we would require 4 to 6db of headroom if possible meaning your premaster should have a peak level of between -6 to -4db. This is easily achievable with good gain staging. If your premaster levels do exceed -4db that is fine as long as your level does not peak above 0db.
If you are not familiar with the gain staging practice then here is a great video in the link below that will explain this and also offer free templates for your DAW.
OUR CLIENTS
Nathan Haines (NZ) – Newcleus (USA) – DJ Koncept (NZ) – Orlando Voorn (USA) – DJ Terraform (UK) – Mackadena (NL) – Lawze & Demos (UK) – Albert Wesker (NZ) – Alex Pipes (NZ) – DJ Marky (BRA) – Makoto (JP) – King Kapisi (NZ) – Teremoana Rapley (NZ) – Keith Mac (UK) – Big Bud (UK) – Jurgen Bouman (NL) – Al T Mclaren (USA) – BYNX (USA) – The Autobots (UK) – Gucci Bass (USA) – Leon Price (UK) – State Of The Nation (UK) – JFB (UK) – Q-Bert (USA) – Break (UK) – MC Excellent (NL) – DJ Benzocaine (USA) – DJ Domination (USA) – King & Early (UK) – State Of The Nation (UK) – Matt Early (UK) – Lee Jeffries (UK) – Surplus (UK) – Byron The Aquarius (USA) – Sparra (UK) – Shaybo (UK) – Report Of Animals (UK) – The Saint (CH) – Filthy Philp (AUS) – Steve Lawler (UK) – Istoria (BE) – Bushdoctor Promotions (UK) – Spikey Tee (UK) – Legendury Beatz (UK) – Electronic Youth (UK) – Offplan (UK) – Eavesdrop (NZ) – Crackazat (UK) – Risky (NZ) – DJ Dymond (UK) – Jim Rider (UK) – Third Nature (NZ) – Dip Vertigo (USA) – Sonic Wax (UK) – Forreal (UK) – Studio South (NZ) – Professor Mono (IRL) – Rodney P (UK) – Black Eyes (UK) – Owen E (IRL) – Imaginary Disc (UK) – Riddim Cartel (NZ) – Will Miles (USA) – Jungle Drummer (UK) – Inguerzon (CL) – Bondy (UK) – Taylor Griffin (NZ) – Afu-Ra (USA) – Louis Y2K (PR) – Donna Coleman (USA) – 2nd Dan (UK) – Ria Reign (NZ) – Point Cntr (USA) – The Artful Dodger (UK) – Chiccoreli (NZ) – Sire (UK) – Junk 45 (UK) – Vaughan Hawthorne-Nelson (UK) – Tinie Tempah (UK) – The Illusions (ESP) – Sianne (NZ) – Darren J Horgan (UK) – Obscure Desire (NZ) – The Sawcocks (NZ) – Tom Meighan “Kasabian” (UK) – Science Of Man (DE) – Tali (NZ) – The Prophecy (SK) – M100 (UK) – Laurence Ritchie (UK) – Christoph El Truento (NZ) – Jet Boot Jack (UK) – Vector Burn (USA) – Kofi The Unknown (NL) – JKriv (USA) – Richie Montana (UK) – Skepsis (UK) – Abi Flynn (UK) – Dogger (UK) – Okan (UK) – Hargo (UK) – Paul Hardcastle (UK) – A.F.R.O (USA) – Erdonoise (NL) – Soft Chaos (NZ) – Kory Grant (AUS) – Piero (AUS) – ODR (AUS) – Sarah Mcleod (AUS) – Polaris (CA) – T.R.A.C. (USA) – Pere Navarro (ESP)